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Essays on creative over id as a severe strategy?!?

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What” exists, there, caught between history and time? Illumination begins in states of historical isolation. The subject catches fleeting glimpses out of the dark corners of the mind’s eye. Nothing can be done about it. Its mind rummages on its own, turning over while returning to the same thoughts. The realization of thinking about thinking stops the process—only to begin another loop. Gradually, suddenly and all at once, the subject reaches for cognition. It is there, already, patiently waiting for a shift in perception, in order to see it.

Most important, the critique demonstrates the negative aesthetic affirmation of blackness and architecture. Building on its critique, the text segues to a revision of Hegel’s dialectical system. First, the methodology defines Hegel’s edifice as a complex, yet closed, sign system. Second, by way of Saussurean semiotics, Hegel’s aesthetic model is objectified and subjected to the same dialectical process it proposes. By definition, its closed character gives way to Saussure’s arbitrary nature of the sign.

The results of those reflections are published here for the first time. I also thank Colleen Coalter, Commissioning Editor of Philosophy at Bloomsbury Publishing, for her unexpected enquiry resulting in the publication of the second edition. Finally, there are those who seem to have always been with us. Who, with the force of objective intellect, regardless of change, demand that we move forward along a principled path. To her, Kathleen Fields, I dedicate the entirety of this work as a demonstration of my ongoing efforts, with her guidance, to do just that.

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