Creating Characters with Personality - download pdf or read online

By Tom Bancroft

From Snow White to Shrek, from Fred Flintstone to SpongeBob SquarePants, the layout of a personality conveys character earlier than a unmarried note of discussion is spoken. Designing Characters with Personality exhibits artists how you can create a particular personality, then position that personality in context inside a script, determine hierarchy, and maximize the effect of pose and expression. useful routines support readers positioned every little thing jointly to make their new characters sparkle. classes from the writer, who designed the dragon Mushu (voiced through Eddie Murphy) in Disney's Mulan—plus big-name specialists in movie, television, games, and photo novels—make a fancy topic obtainable to each artist.

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Redeye happens when light from the strobe comes through the iris and reflects off the back of the eyeball, which is totally covered with blood vessels, thus, the reflection is red. This happens when the angle of the flash to the lens is very tight. Although some cameras have various redeye reduction programs, such as the pre-flash and the bright spotlight intended to decrease the size of the iris, their results are questionable. Fixing redeye using software is also a good option, but it is often time-consuming and sometimes looks unreal.

You don’t need to rush out and get the newest best camera available every time something new comes out to get great photos. Digital camera advancements are usually evolutionary, not revolutionary, so think about a camera with more megapixels when you need to make larger prints. Until then, you have consumer digital cameras, the point-and-shoot style with 6 to 8 megapixel sensors and professional dSLR digital cameras with sensors that run from 8 to 16 megapixels, like the sensor shown in 2-9. 2-9 ABOUT THIS PHOTO This is a photograph of a digital sensor from a digital SLR camera with 10-megapixel resolution.

Some of these units are compact enough to allow several units to fit into a small case, and others are very heavy, large, and rarely leave the studio. Most studio strobes are powered like any other electrical equipment, although some are able to use battery power. A small set of studio strobes are shown in 2-21. 46 2-21 ABOUT THIS PHOTO The light on the left has a reflector with a grid that creates a direct spot light. A soft box is attached to the light on the right, which gives out a soft, wrapping light.

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