By James David Draper
The engraving of hardstones is a popular perform that is going again numerous millennia. The Greeks sophisticated the paintings, they usually brought in concerning the 5th century b.c. what we now name cameos: important and semiprecious stones carved in projected aid. As fanciful curiosities and as amazing unions of paintings and nature, cameos were prized and picked up when you consider that precedent days. This ebook offers a range of multiple hundred magnificently carved gem stones from the remarkable collections of The Metropolitan Museum of paintings. The textual content lines the origins of cameos in classical antiquity, their infrequent occurrences within the heart a long time, their efflorescence from the sixteenth to the nineteenth century, and their unfold to the recent World.
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Extra info for Cameo Appearances
Figures on were pottery Attic shownsilhouettedin red - the natural colour of clay when baked - on a black ground. This cup. like the work on the opposite page, is from the workshop of Euphronius. Black figure pot- preceded tery the style that featured a painted background. touches Using other colours, showed on This a of it blackfigures red ground. splendid ex- imple is known as the Exekius cup after the artist who painted it. 57 Black figure pottery peninsula they found a flourishing pottery production in the great Cretan and Mycenaean tradition.
The expression on the face is almost too calm for man in the act of imposing his will on four fiery horses; the treatment of his hair and the regular pleats of the tunic below the belt is somewhat stylized, and the statue's general derivation from the rigid kouros is still very a But an advance towards realism is evident nonetheless: in the sinews of the arms holding the reins, the feet arched to keep their position on the unsteady racing chariot, and the odd curl escaping from the evident. headband.
P.. A collection of illustrations with an introductory essay. Berve. , Greek Temples. and Theatres Shrines, Thames and Hud- A good introductory essay on Greek sanctuaries functioned; well son. 1963. how illustrated. 45 amphora, 55. 58 Aphrodite of Cnidos, 36-7 Apoxyomenos. 20,62 Aristogeiton,41 Athena, 4. 53 Attic ware. 41. 42. 45, 56. 57. 58. 59. 60. 07 Lawrence. A. , Greek Architecture. Penguin Books, third edition, 1973. A systematic account of the development of Greek architecture. base. 18.