Download e-book for kindle: A Short Course in Canon EOS Digital Rebel Photography by Dennis Curtin

By Dennis Curtin

I purchased this ebook once you have my insurgent xt and could not stay up for it to reach. The person guide that got here with the digicam did not support in any respect and that i used to be anticipating getting a publication which can support get me all started within the correct direction.

Well, it took over 6 weeks for the publication to reach and while it did i discovered it to be not anything yet a glorifed person guide. Very disappointing.

I have had larger good fortune from renowned images journal and studying from books written by way of pros like John Shaw and paintings Wolfe.

This e-book wasn't definitely worth the rate and look forward to it to reach.

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Extra resources for A Short Course in Canon EOS Digital Rebel Photography (book/ebook)

Example text

SPEED OF SUBJECT The faster a subject is moving, the faster the shutter speed you need for a sharp image. However, it’s not the speed of the subject in the real world that determines blur. It’s how far the subject moves on the image sensor while the exposure is being made. This depends not just on the subject’s actual speed, but also on the direction of its movement, its distance from the camera, and the focal length of the lens. The shutter speed was fast enough to freeze the butterfly on the flower but too slow to freeze the one flying by.

56 CONTROLLING DEPTH OF FIELD CONTROLLING DEPTH OF FIELD Sharpness—or the lack of it—is immediately noticeable when you look at a photograph. If you are making a portrait, you may want only the person to be sharply focused, but not a distracting background. In a landscape, on the other hand, often you may want everything sharp from close-up flower to distant mountain. Once you understand how to control depth of field, you will feel much more confident when you want to make sure something is—or isn’t—sharp.

It’s easy to use exposure compensation because you can immediately see the effects of your changes on the monitor. Exposure compensation darkens or lightens pictures. TIP ■ Use + exposure compensation when the subject is bright and - when it’s dark. Exposure compensation can increase or decrease exposure by two stops in one-third stop increments. Here are some typical settings where you’d make these changes. ■ +2 is used when the light is extremely contrasty and important shadow areas are much darker than brightly lit areas.

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