By Dennis Curtin
This book/eBook package deal is your advisor to getting extra fascinating and artistic images together with your Canon EOS electronic insurgent digicam - referred to as the EOS 300D in a few international locations. which will research extra concerning the ideas of images, this book/ebook is for you. It discusses each digicam atmosphere in a transparent, well-illustrated type, however it additionally does even more. you will see why and if you happen to use particular settings, not only tips to set them. you can find that this consultant is helping you fast grasp your digital camera so you will be getting the types of pictures you desire for. The ebook is outlined in black & white and has a favored spiral binding that shall we the booklet lie flat or be folded again. The accompanying book on a CD disc is a printable and searchable full-color model of an analogous booklet in Adobe's well known PDF structure. it may be learn on a computer or Mac utilizing the loose Acrobat Reader or any present net browser. The CD additionally comprises trial types of some of the author's favourite progra! ms.
Read or Download A Short Course in Canon EOS Digital Rebel Photography PDF
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This book/eBook package deal is your advisor to getting extra fascinating and artistic images along with your Canon EOS electronic insurgent digicam - referred to as the EOS 300D in a few international locations. that will study extra in regards to the ideas of images, this book/ebook is for you. It discusses each digital camera surroundings in a transparent, well-illustrated type, however it additionally does even more.
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Extra resources for A Short Course in Canon EOS Digital Rebel Photography
To photograph a scene that has an overall tone darker than middle gray, you need to override the autoexposure system to decrease the exposure to make the picture darker. The black cat is between one and two stops darker than middle gray. To darken the scene so the cat’s not middle gray, exposure must be decreased by one (-1) or two (-2) stops. Here the scenes were underexposed to silhouette the people in the foreground. To show detail in the people, exposure would have had to have been increased two stops (+2).
2 is used when the light is extremely contrasty and important shadow areas are much darker than brightly lit areas. ■ +1 is best for sidelit or backlit scenes, beach, fog, or snow scenes, sunsets and other scenes that include a bright light source, or very light objects, such as a white cat on a white pillow. ■ 0 (the default) is best for scenes that are evenly lit and when important shadow areas are not too much darker than brightly lit areas. This lighthouse in the fog on Cape Cod would have looked too dark if exposure compensation hadn’t been used to lighten it.
2. While looking through the viewfinder, focus by turning the focus ring on the lens. Manual focus is useful when the main subject doesn’t fall on one of the seven focus points, or when you want to focus on a very specific spot such as the eye of a moth. 56 CONTROLLING DEPTH OF FIELD CONTROLLING DEPTH OF FIELD Sharpness—or the lack of it—is immediately noticeable when you look at a photograph. If you are making a portrait, you may want only the person to be sharply focused, but not a distracting background.